Format: Monographie

  • Histoire et Littérature (faits vs. fiction)

    Plusieurs ouvrages sur la piraterie cherchent à distinguer les faits historiques des légendes.

  • Buccaneers and privateers : the story of the English sea rover, 1675-1725

    «In the late seventeenth century, Spain dominated the Caribbean and Central and South America, establishing colonies, mining gold and silver, and gathering riches from Asia for transportation back to Europe. Seeking to disrupt Spain’s nearly unchecked empire-building and siphon off some of their wealth, seventeenth- and eighteenth-century British adventurers, both legitimate and illegitimate, led numerous expeditions into the Caribbean and the Pacific. Many voyagers wrote accounts of their exploits, captivating readers with their tales of exotic places, shocking hardships and cruelties, and their daring engagements with national enemies. Widely distributed and read, buccaneering and privateering narratives contributed significantly to England’s imaginative, literary rendering of the Americas in the late seventeenth and early eighteenth centuries, and they provided a venue for public dialogue about sea rovers and their position within empire. This book takes as its subject the literary and rhetorical construction of voyagers and their histories, and by extension, the representation of English imperialism in popular sea-voyage narratives of the period–from publisher’s website.»

  • Women and English Piracy, 1540-1720

    «Piracy was one of the most gendered criminal activities during the early modern period. As a form of maritime enterprise and organized criminality, it attracted thousands of male recruits whose venturing acquired a global dimension as piratical activity spread across the oceans and seas of the world. At the same time, piracy affected the lives of women in varied ways. Adopting a fresh approach to the subject, this study explores the relationships and contacts between women and pirates during a prolonged period of intense and shifting enterprise. Drawing on a wide body of evidence and based on English and Anglo-American patterns of activity, it argues that the support of female receivers and maintainers was vital to the persistence of piracy around the British Isles at least until the early seventeenth century. The emergence of long-distance and globalized predation had far reaching consequences for female agency. Within colonial America, women continued to play a role in networks of support for mixed groups of pirates and sea rovers; at the same time, such groups of predators established contacts with women of varied backgrounds in the Caribbean and the Indian Ocean. As such, female agency formed part of the economic and social infrastructure which supported maritime enterprise of contested legality. But it co-existed with the victimisation of women by pirates, including the Barbary corsairs. As this study demonstrates, the interplay between agency and victimhood was manifest in a campaign of petitioning which challenged male perceptions of women’s status as victims. Against this background, the book also examines the role of a small number of women pirates, including the lives of Mary Read and Ann Bonny, while addressing the broader issue of limited female recruitment into piracy.» [Résumé de l’éditeur]

  • Naked Tropics: Essays on Empire and Other Rogues

    L’ouvrage propose un chapitre complet sur la démocratie pirate («Pirate Democracy»).

  • The cinematic voyage of The Pirate : Kelly, Garland, and Minnelli at work

    «Among the many products of the Arthur Freed Unit at M-G-M, The Pirate has garnered a great deal of attention from viewers and critics alike as one of the most interesting film musicals of all time. Although not as universally acclaimed as Singin’ in the Rain, The Pirate is an important film musical to study for a number of reasons. It represents the start of Gene Kelly’s glory period as actor, choreographer, and dancer.»

  • Pirates de tous les pays l’âge d’or de la piraterie atlantique (1716-1726)

    «Qui étaient les pirates ? Au nom de quel idéal ont-ils hissé leur drapeau à tête de mort, cet énigmatique “Jolly Roger”? En quoi ont-ils perturbé durablement le commerce colonial et les traites négrières du début du XVIIIe siècle?
    Dans cet ouvrage passionnant et novateur, traduit pour la première fois en français, Marcus Rediker raconte une fabuleuse histoire. Celle des quelques milliers de “scélérats” qui refusèrent de se soumettre à l’ordre mercantile et à l’exploitation pour préférer la liberté et la jovialité, dussent-ils le payer de leur vie.» [Résumé de l’éditeur]

  • British pirates and society, 1680-1730

    «Table of contents: 1. Introduction : pirate lifestyles — 2. Punishing miscreants : pirates and the metropolis — 3. Dominion of the seas : pirates and the law — 4. A growing evil : pirates and commerce — 5. The taste of the town : pirates and ‘polite society’ — 6. ‘A nest of vermin’ : representations of Madagascar — 7. Alternative masculinities : pirates and family life — 8. ‘Stand and deliver’ : the pirate inheritance.»

  • Jolly Roger: The Story of the Great Age of Piracy

    «Fascinating study of the pirates of the 17th and 18th centuries examines the lives and deeds of Henry Morgan, Captain Kidd, Blackbeard, Anne Bonney, and others, finding the lore about these maritime marauders largely overblown.» [Quatrième de couverture]

  • Pirate Novels: Fictions of Nation Building in Spanish America

    «In Pirate Novels Nina Gerassi-Navarro examines an overlooked genre to reveal how history and fiction blend to address important isuses of nation building in nineteenth-century Spanish America. In the figure of the pirate, bold and heroic to some, cruel and criminal to others, she reveals an almost ideal character that came to embody the spirit of emerging nationhood and the violence associated with the struggle to attain it.
    Beginning with an overview of the history of piracy, Gerassi-Navarro traces the historical icon of the pirate through colonial-era chronicles before exploring a group of nineteenth-century Mexican, Colombian, and Argentine novels. She argues that the authors of these novels, in their reconstructions of the past, were less interested in accurate representations than in using their narratives to discuss the future of their own countries. In reading these pirate narratives as metaphors for the process of nation building in Spanish America, Gerassi-Navarro exposes the conflicting strains of a complex culture attempting to shape that future. She shows how these pirate stories reflect the on-going debates that marked the consolidation of nationhood, as well as the extent to which the narratives of national identity in Spanish America are structured in relation to European cultures, and the ways in which questions of race and gender were addressed.
    Providing new readings of the cultural and political paradigms that marked the literary production of nineteenth-century Spanish America, Pirate Novels uniquely expands the range of texts usually examined in the study of nation-building. It will interest literary scholars generally as well as those engaged in Latin American, colonial, and postcolonial studies.» [Quatrième de couverture]

  • Inquietude’ in the work of Pierre Mac Orlan

    «This is the first major study in English of the work of the French novelist, essayist, journalist, poet and ‘chansonnier’ Pierre Mac Orlan (1882-1970). It assesses Mac Orlan’s contribution to the post-1918 phenomenon of intellectual disillusionment and disorientation which was termed the ‘nouveau mal du siècle’, or ‘inquiétude’. Although he has largely been ignored by critics thus far, Mac Orlan was part of mainstream French literary production and a major exponent of ‘inquiétude’. Where he differs from his contemporaries is in his subject matter, in his use of sociological, rather than abstract, intellectual material. His expression of ‘inquiétude’ encompasses: ‘le fantastique social’; adventure; marginality; ‘le cafard’; and sadistic sexuality. His originality lies in his invention of ‘le fantastique social’, in his constant use of certain techniques, as well as the subject matter, of German Expressionism via the depiction of the disturbing landscape of the modern city, post-1918 inflation and decadence, prostitutes and criminals, doomed adventurers, the mystery of modern technology, and in the expression of a morbid interest in sexual violence. This volume will be of particular interest to students of inter-war French literature and thought.» (Résumé)